I was surprised to find that the full text of Come Hither, the anthology by Walter de la Mare, is available online. I'm pasting in the two poems we read this morning.
225 Upon a Ring of Bells
Bells have wide mouths and tongues, but are too weak,
Have they not help, to sing, or talk or speak.
But if you move them they will mak't appear,
By speaking they'l make all the Town to hear.
When Ringers handle them with Art and Skill,
They then the ears of their Observers fill,
With such brave Notes, they ting and tang so well
As to out strip all with their ding, dong, Bell.
These Bells are like the Powers of my Soul;
Their Clappers to the Passions of my mind;
The Ropes by which my Bells are made to tole,
Are Promises (I by experience find.)
My body is the Steeple where they hang,
My graces they which do ring ev'ry Bell:
Nor is there any thing gives such a tang,
When by these Ropes these Ringers ring them well.
Let not my Bells these Ringers want, nor Ropes;
Yea let them have room for to swing and sway:
To toss themselves deny them not their Scopes.
Lord! in my Steeple give them room to play.
If they do tole, ring out, or chime all in,
They drown the tempting tinckling Voice of Vice:
Lord! when my Bells have gone, my Soul has bin
As 'twere a tumbling in this Paradice!
Or if these Ringers do the Changes ring,
Upon my Bells, they do such Musick make,
My Soul then (Lord) cannot but bounce and sing,
So greatly her they with their Musick take.
But Boys (my Lusts) into my Belfry go,
And pull these Ropes, but do no Musick make
They rather turn my Bells by what they do,
Or by disorder make my Steeple shake.
Then, Lord! I pray thee keep my Belfry Key,
Let none but Graces meddle with these Ropes:
And when these naughty Boys come, say them Nay.
From such Ringers of Musick there's no hopes.
O Lord! If thy poor Child might have his will,
And might his meaning freely to thee tell;
He never of this Musick has his fill,
There's nothing to him like thy ding, dong, Bell.
226 The Belfry
Dark is the stair, and humid the old walls
Wherein it winds, on worn stones, up the tower.
Only by loophole chinks at intervals
Pierces the late glow of this August hour.
Two truant children climb the stairway dark,
With joined hands, half in glee and half in fear,
The boy mounts brisk, the girl hangs back to hark
If the gruff sexton their light footsteps hear.
Dazzled at last they gain the belfry-room.
Barred rays through shutters hover across the floor
Dancing in dust; so fresh they come from gloom
That breathless they pause wondering at the door.
How hushed it is! what smell of timbers old
From cob webbed beams! The warm light here and there
Edging a darkness, sleeps in pools of gold,
Or weaves fantastic shadows through the air.
How motionless the huge bell! Straight and stiff,
Ropes through the floor rise to the rafters dim.
The shadowy round of metal hangs, as if
No force could ever lift its gleamy rim.
A child's awe, a child's wonder, who shall trace
What dumb thoughts on its waxen softness write
In such a spell-brimmed, time-forgotten place,
Bright 'in that strangness of approaching night?
As these two gaze, their fingers tighter press;
For suddenly the slow bell upward- heaves
Its vast mouth, the cords quiver at the stress,
And ere the heart prepare, the ear receives
Full on its delicate sense the plangent stroke
Of violent, iron, reverberating sound,
As if the tower in all its stones awoke,
Deep echoes tremble, again in clangour drowned,
That starts without a whir of frighted wings
And holds these young hearts shaken, hushed, and thrilled,
Like frail reeds in a rushing stream, like strings
Of music, or like trees with tempest filled,
And rolls in wide waves out o'er the lone land,
Tone following tone toward the far-setting sun,
Till where in fields long shadowed reapers stand
Bowed heads look up, and lo, the day is done. . . .